|
|
|
Samuel John Peploe Self-Portrait mk147
c.190
Scottish National Gallery of Modern Art.
|
|
|
|
|
|
|
|
|
|
Samuel John Peploe Barra mk147
1903
Scottish National Gallery of Modern Art Edinburgh
|
|
|
|
|
|
|
|
|
|
Samuel John Peploe Etaples mk147
c.1906
Scottish National Gallery of Modern Art
|
|
|
|
|
|
|
|
|
|
Samuel John Peploe Park Scene mk147
1910
Kirkcaldy Museum and Art Gallery
|
|
|
|
|
|
|
|
|
|
Samuel John Peploe Ile de Brehat mk147
1911
Scottish National Gallery of Modern Art.
|
|
|
|
|
|
|
|
|
|
Samuel John Peploe The Lobster mk147
c.1903
Oil on canvas
40.7x50.8cm
|
|
|
|
|
|
|
|
|
|
Samuel John Peploe Roses in a Blue and White Vase,Black Background mk147
c.1904
Oil on canvas
40.6x45.5cm
|
|
|
|
|
|
|
|
|
|
Samuel John Peploe The Black Bottle mk147
c.1905
Oil on canvas
50.8x76.2cm
|
|
|
|
|
|
|
|
|
|
Samuel John Peploe Still Life with Coffee Pot mk147
c.1905
Oil on canvas
61x82.5cm
|
|
|
|
|
|
|
|
|
|
Samuel John Peploe Girl in White mk147
1907
Oil on canvas
84.5x61.5cm
|
|
|
|
|
|
|
|
|
|
Samuel John Peploe Street Scene,France mk147
c.1910
Oil on canvas
34x26.5cm
|
|
|
|
|
|
|
|
|
|
Samuel John Peploe The Luxembourg Gardens mk147
c.1910
Oil on panel
35.5x28cm
|
|
|
|
|
|
|
|
|
|
Samuel John Peploe Boats at Royan mk147
1910
Oil on board
29x33
|
|
|
|
|
|
|
|
|
|
Samuel John Peploe Tulips and Cup mk147
c.1912
Oil on canvas
45.6x40.6cm
|
|
|
|
|
|
|
|
|
|
Samuel John Peploe Still Life mk147
c.1913
Oil on canvas
55x46
Scottish National Gallery of Modern Art.
|
|
|
|
|
|
|
|
|
|
Samuel John Peploe Green Sea,Iona mk147
c.1920
Oil on canvas
50.8x60.9cm
|
|
|
|
|
|
|
|
|
|
Samuel John Peploe Kirkcudbright mk147
c.1919
Oil on canvas
55.9x63.5cm
|
|
|
|
|
|
|
|
|
|
Samuel John Peploe Tulips and Fruit mk147
c.1919
Oil on canvas
58x48
|
|
|
|
|
|
|
|
|
|
Samuel John Peploe Still Life Roses and Book mk147
c.1920
Oil on canvas
73.7x60
|
|
|
|
|
|
|
|
|
|
Samuel John Peploe Landscape at Cassis mk147
1924
Oil on canvas
55.6x45.7cm
|
|
|
|
|
|
|
|
| |
|
|
Samuel John Peploe
|
Scottish Painter, 1871-1935,Scottish painter. He studied at the Royal Scottish Academy schools from 1893 to 1894, and then at the Academie Julian and Acad?mie Colarossi in Paris, where he shared rooms with Robert Brough. The influence of the rustic realism of French painters and of the Glasgow Boys is clear in landscape drawings and paintings executed in Edinburgh from the mid-1890s. His still-life studies reveal the influence of the work of both Manet and Hals, which he saw in European galleries, with their combinations of thick impasto and fluid brushwork, dark background, strong lighting and meticulous handling of tones. Between 1900 and c. 1910, when he moved to Paris, he painted in Edinburgh, on sketching holidays in Scotland and in northern France with John Duncan Fergusson, and exhibited in Edinburgh, Glasgow and London.
|